Sunday, December 29, 2019
Roles Of Women And Rules Of Marriage - 2144 Words
The roles of women and rules of marriage have changed very drastically since the 16th century. In the play Othello three women, each of a different social class, were part of the story and all had different roles and marriage rules to follow. Some examples of this would be the roles of women in the 16th century, marriage rules of the 16th century, and how the women of Othello act. Although many may believe the roles of women and marriage rules portrayed in Othello and in real life during the 16th century were extremely different, one might believe the book follows the rules very accurately. The roles of women include their need to obey male relatives, what careers were available to them, and what women became prostitutes. The roles of women during the 16th century included obeying their male relatives, careers that women could obtain working lives, and the prostitutes of the town. Women were taught that they were below the men of society and the church enforced this with a quote from the bible (King). According to William.shakespeare.info, ââ¬Å"Women in Venice, as elsewhere in Venetian society, were expected to obey their fathers and their husbands and dedicate themselves to child bearing, charity, and pietyâ⬠(ââ¬Å"Elizabethan womenâ⬠). In other words women were only there to give birth, be a mother, help others when needed, and to be religious. Most women, if not married, would still be religious and help when they could. If women did not obey their fathers, husbands, or otherShow MoreRelatedThe Contemporary Motives Of Getting Married1133 Words à |à 5 Pagescenturies, have been a marriage and family and more particularly, changes in views and opinions on a real family and marriage . Also, there are many cultural conflicts, primarily concerning abortion and marriage of same sex couples, deepen in the last few decades. 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Its plot is derived from the popular war of the sexes theme in which males and females are pitted against one another for dominance in marriage. The play begins with an induction in which a drunkard, Christopher Sly, is fooled into believing he is a king and has a play performed
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